David Bottrill wrote about recording Sonar's new CD Black Light on his updated website. "The music is at once simple and complex, polyrhythms over melodies over thunderous bass and a drummer who can seem to split his own body in half to play in two or more
different meters at once. Such a great time watching, helping to record and mixing them."
Thanks to Markus Stegmayr for including Static Motion on his list (in German) of 10 Platten gegen akutes Hipstertum on the
Alpen Feuilleton website.
Thanks also to
Maelstromzine for their review of Static Motion.
David Bottrill has finished mixing Sonar's new CD Black Light in Toronto and John Kelman
has finished writing the liner notes in Ottawa, so this CD is a real Swiss-Canadian production.
The CD will be released in September 2015.
Thanks to all who have included Static Motion high on their "best of 2014" list:
(All About Jazz), Nocturnal Ghost
(Asheville FM), George Grella
(The Big City Blog),
(Blogspot), Leonardo MoonJune
Valmor José Pedretti Jr. and many others. George Grella wrote: The impossible record.
Complex, minimal instrumental grooves that are so loping and locked in place that the slightest variation
of articulation, the briefest solo, have monumental effect. Seventy minutes of watching the movement of the
most beautifully made clock you've ever seen.
In November 2014, we will be rehearsing material for our next CD, scheduled to be recorded in January 2015.
Our goal is to have all pieces ready by December 11, when we play a complete run-through of the CD live at
Bühne S (Bahnhof Stadelhofen) in Zürich.
Thanks to JPGP for his
review (in French) of Static Motion on les immortels.
Thanks to Jean-Paul Gavard-Perret for his poetic
review (in French) of Static Motion on les blogs de l'art helvetique contemporain.
Thanks to Pirmin Bossart for his fine review (in German) of Static Motion in
the Swiss magazine Jazz'n'more.
Anil Prasad's article on Sonar in Guitar Player Magazine is now
"An anti-hero's masterpiece ... a revolutionary shot across the bow ...
an album that radically reinvents instrumental interplay ... with so many forms of contemporary music seemingly satisfied
to simply regurgitate weary and weathered tropes, Sonar has defied the norm by crafting something singular and magical."
Thanks to Jeff Miers (high-profile music critic for The Buffalo News (New York)) for his stellar
review of Static Motion.
Thanks to Ingo Andruschkewitsch for the Static Motion review (in German) on
Thanks to Arno Oehri for his truly wonderful review (in German) of
the Sonar gig in Liechtenstein on May 17th. Arno also took a few snapshots:
Thanks to everyone who came to our CD release party on April 24. Markus Reuter opened the first set with a
beautiful soundscape after which Sonar played 5 pieces (Tromsø, Static Motion, Twofold Covering,
Landslide and Triptych). Markus joined us for the entire second set and together we played 4 pieces (Steel Cathedral,
Continuum, Tranceportation and a new piece called Angular Momentum) as well as an encore (String Geometry).
Our special guests were Sid Smith (who will write a review of the gig for Prog Magazine) and Anil Prasad, two
of the most prolific Prog journalists who met here in Zürich for the first time. The gig was filmed, so you can expect a YouTube
video of at least one of the pieces soon. On April 26, Markus, Tobias Reber and Sonar drove to a studio in Bern to
record Markus' remarkable composition Falling for Ascension.
Thanks to Mr. Badlands for his review (in German) of Static Motion on rollingstone.de
Thanks to the enthusiastic audience at the Perlaton Vol 2 Festival in Zürich for making the first gig of our tour such a memorable event.
They proved once and for all that you can dance to our music, even if it's in 33/8.
Thanks to Nikola Savic for calling Static Motion "one of the five great albums you should hear in 2014" on
Thanks (again) to Mike Chadwick for playing the track Twofold Covering on his excellent JazzFM program
The Cutting Edge.
"...the music is stripped down to bare bones, although those bones articulate
a structure of remarkable depth and complexity, built from complex polyrhythms and tense, ambiguous tonalities...
There is, as intended, great tension and power in the music. One of the most remarkable, rigorous, and truly original records I've yet heard."
Thanks to Oliver Arditi for his stunning review of Static Motion
"With progressive rock experiencing a significant resurgence, Sonar remains a rare outfit looking ever forward,
with unrelenting emphasis on the true meaning of the word "progressive." There may be no 'trons, epic songwriting
or instrumental pyrotechnics, but Static Motion - a clear evolution of Sonar's core concepts first heard on A Flaw of
Nature - is an album whose slow-build approach to dramaturgy, couched in intrinsic minimalism, reveals plenty more with each and every listen."
Thanks to the prolific John Kelman for his review of Static Motion on the All About Jazz website.
Thanks to Frank von Niederhäusern for his review (in German) of Static Motion in the Swiss cultural magazine
"Static Motion bewitches with unique sonic rituals that beautifully combine mystery and power.
This is simply captivating music by four skillful guys who think outside of the box and defy classification..."
Thanks to Nocturnal Ghost for his great review of Static Motion in
Thanks to the mighty Sid Smith for his review of Static Motion in Progrock Magazine and on his own
The track Zero Tolerance (from Static Motion) was used on the
HELMUT LANG Fall 2014 Collection Runway Show.
Click here if you want to see how the models cope with a 33/8 rhythm (The track starts at 5:35)
We are genuinely touched by the large number of people who have written to us to give their respect and appreciation. "Life-altering", "utterly luxurious", "a new perspective" were some of the generous words that were used to describe
our music. Thank you all for your support and for inspiring us to continue to do what we believe in.
A tritonic salute goes to the one and only Anil Prasad, not only for writing the liner notes for
Static Motion, but also for his new interview with Sonar on www.innerviews.org, the first and longest-running online music magazine.
"Minimalism Perpetually on Edge - Sonar's "Static Motion" is the featured CD review on the
Caught in the Carousel website. It is also featured in
Stereo Embers Magazine.
Thanks to Dave Cantrell for an amazing read.
The multi-media website Sound Colour Vibration called Sonar "one of the most exhilirating listens of 2014 ...
their snake-like harmonizing a fascinating gift to the spectrum of modern rock music. There's a raw energy that resides within
the fabric of the groups core, jolting out of very intricate rhythms and melodic patterns to project a non-traditional sense of
collective energy. Highly technical and expressive, this is some of the best rock music I have heard in years." Read the whole article
Thanks to Mike Chadwick (The Cutting Edge, Jazz FM), Gregory Kampf (La Villa Strangiato) and many other wonderful people
for playing tracks from Static Motion on radio stations throughout the world.
Thanks to Michael Ross for his article "Introducing: Sonar" on his excellent website
Cuneiform records has released STATIC MOTION
(the title track of our
upcoming album) on YouTube.
The video was produced by Nordhang Film and shot at the band's rehearsal room in Zürich.
About the CD, Anil Prasad (innerviews.org) wrote "I'm honored to have written the liner notes for
Static Motion, the upcoming release by SONAR on Cuneiform Records. It's truly outstanding
music with a deep story to tell. Releasing in January 2014. I think you'll find it to be one of the most intriguing instrumental albums you've
encountered in a long time."
Back from our Spring 2013 Tour...We had a fantastic time with 8 concerts in Switzerland, Germany and England
plus 4 days of recording at the great Ocean Sound Recordings Studio on Giske island in Norway. Thanks to all the wonderfully
supportive people who came to our concerts. Read two reviews of our April 30th concert at the Vortex in London:
Ian Greatorex review: here Mike Bearpark review: here
Watch a live performance of "A Flaw of Nature" (
the title track of our first album) on YouTube
(filmed by Michael Taylor at Band on the Wall in Manchester, 2 May 2013)
Watch a live performance of "Twofold Covering" ( a track that will be on the new album) on YouTube
(filmed on iPhone by Graham Bailey at Band on the Wall in Manchester, 2 May 2013)
image: Sonar live at the Capstone Theatre in Liverpool, 3 May 2013
Thanks to: Ian Greatorex for listing A Flaw of Nature as the 6th best prog album of 2012 on progarchy.com ,
La Villa Strangiato (progressive rock/jazz radio show in Canada) for playing Sonar tracks,
Vasilis Pavlidis for listing A Flaw of Nature as the 3rd best album of 2012 on www.mic.gr (Greece),
Aris K. (Mic.gr Music Portal Greece, Off Radio) for listing A Flaw of Nature as the 8th best album of 2012,
Robert Steven Silverstein for a new Sonar review and interview on www.mwe3.com
"Live at Bazillus" recorded at the Bazillus club in Zürich. This show was also the release party for our first video
"Tromsø", directed by Pascal Reinmann.
Watch it on YouTube or Vimeo.
Recording the EP Skeleton Groove in Bern on June 10th.
Thanks to Mike Chadwick for frequently playing Sonar tracks on his excellent Sunday evening program "The Cutting Edge"
on JazzFM (6/13/20 May). Mike is one of our great heroes: he later helped us to play at the Band on the Wall in
Manchester and at the Capstone Theatre in Liverpool. He also continued playing Sonar tracks on JazzFM
(8 July 2012, 13/20 January 2013, 10 March 2013, 8 December 2013, 26 January 2014, 30 March 2014)
CD release party for A Flaw of Nature in the EXIL club in Zürich.
Our special guest was Sid Smith (who wrote the liner notes) and who introduced us in a legendary speech.
Thanks to John Schaefer for including a Sonar track (Slow Shift) on his WNYC New Sounds podcast from
April 30th 2012. John competently talked in detail about the music and its background. Listen to the podcast
Recording our first CD A Flaw of Nature in Bern on August 13th and 14th.